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"No Name" Kiev & Contax by Peter Hennig

During the 1960s, a strange camera looking a lot like a Zeiss Contax rangefinder entered the market. It bore no name,  but the general look was like a pre-war Contax II. On the back of the top plate of many examples there was an engraving: “USSR OCCUPIED GERMANY.” The existence of this camera led to many rumors, and it is probably the starting point of the obstinate assumption that Contax cameras were still being made in Dresden after 1945.   The camera was at first known as the “No Name Contax” in catalogues and periodicals.  It was equipped with either a Carl Zeiss Jena f/1.5 5cm T Sonnar from the early postwar production in Jena, or a West German Carl Zeiss f/1.5 50mm Sonnar from Oberkochen.  Some cameras had an f/2 50mm Sonnar from Oberkochen as their original lens.  

 

In those days the various models of the Kiev camera were not so well known by Western collectors, though some realized that this was not a "No-Name Contax"  but rather a "No-Name Kiev."  In fact it is a nameless Kiev 4A from 1963.  One reason the identification as a Kiev was hard for Westerners to accept was that in the early 1960s Kiev’s were well built, much better than the rest of  Russian camera production. Therefore, this No-Name looked very much like a pre-war Zeiss Contax, not a Russian Kiev.

A very common theory is that the parts were made by Zavod Arsenal in Kiev and assembled in East Germany.   Both Dresden and Jena have been proposed as assembly sites.   During my investigation into the origin of this camera, it became clear to me that I could say three things about it with great certainty:

In order to come to these conclusions I dismantled the No Name Kiev no. 6307424, which had never been opened before, and compared it with standard Kiev 4A no. 6303564, which I had also dismantled.  I carried out a close inspection of the outside, for materials and performance, and then an inspection of the inner parts, such as the shutter and transport mechanism, the self timer, rangefinder and synchronization. I took a very close look at the details that were part of the assembly work, such as the thread and stitching of the shutter ribbons, the type of leather used for the so-called “lifting heel” on the lower shutter drum, the type of electrical wires in the flash synchronization, the type of grease on the slow speed details, the material holding the rangefinder prism, and so on.

  I found that nothing in the No Name camera differs from the equivalent items  in the standard Kiev 4A from 1963.  It was obviously made and assembled by Zavod Arsenal in Kiev, Ukraine. 

The blank front plate does not differ, in type of chromium or surface structure, from that of the Kiev. It must be assumed to be part of the original design. Therefore, this camera was designed by Zavod Arsenal to be a nameless Kiev. Its very close similarity to the standard Kiev 4A no. 6303564, and the camera’s own number, proves that the year of manufacture was 1963.

Regarding the “USSR OCCUPIED GERMANY” engraving,  I found the this engraving very different from all other engraving on the camera.  The text appears to have been written by hand, probably by an electrical engraving pen.      The area shows heavy cleaning marks made after the engraving.   It seems obvious to me that this engraving was not a part of the original design.  It is possible this engraving was added AFTER the camera left the factory, as a sales enticement.

While it appears to be out of the question that this camera was made and assembled anywhere but in Ukraine, these “No-Names” are unknown today in Kiev.  I have not been able to find anyone in Kiev, or at Zavod Arsenal, who knows anything about this production. This last fact is perhaps not as surprising as it sounds, because the production of a nameless Kiev intended for a market other than Russia (and with lenses made elsewhere than in Russia) would not have been spoken of openly in the days of the Soviet Union.

What have been the reason for putting money into such a project? I believe the only reasonable  explanation would be to sell left-over standard lenses.   If you want to sell standard lenses, you have to offer a camera body to go with them; and if the standard lenses are by Zeiss for the Contax, the body should be as Contax-like as possible. 

First, we know that there were left-over standard lenses in Jena in the early 1950s. The first lens program for the Contax IIa was that of VEB Carl Zeiss Jena in the German Democratic Republic, although Zeiss-Opton in Oberkochen managed to produce Contax lenses earlier than expected.

Then, it appears to be the case that there were left-over Carl Zeiss standard lenses  in the early 1960s when the Contax IIa and the Contax IIIa left the market in 1961.   Probably some western company bought all these lenses at a good price.   The close-down of the Contax IIa and IIIa in 1961, and the manufacturing year of 1963 for the No-Name Kiev, fits very well as a reasonable projection of this concept.

The left-over (old and hard to sell) standard lenses at VEB Carl Zeiss Jena made it possible for the western company that took them to establish the right kind of relation with Zavod Arsenal in Kiev in order to persuade them to manufacture this anonymous camera, which must have been quite out of the normal routine for a Soviet company.

Probably the No-Name project did not turn out well, and obviously many of these cameras were left over. In 1969 or 1970 there was an advertisement in Modern Photography and in Popular Photography for the No-Name Kiev.  The camera was sold new in original boxes at a very low price. It came with a f/1.5 lens and an anonymous Kiev case. (There was a small picture in the advertisement that made it possible to identify all this.)

The reason for the false engraving USSR OCCUPIED GERMANY is unknown. Perhaps someone bought a quantity of these cheap No Names in order to hype the concept.

The first part of this article describes what can be said with certainty about the No-Name Kiev. The second part is my reasonable speculation.   I  welcome any additional information.  You can email me  at syntax.prh@minmail.net .  

There is a larger Kiev article by Peter Hennig on this site. 


No Name East German Contax II

In 1949 East German VEB Carl Zeiss JENA ran a trial project in order to determine the profitability of starting large scale production of Contax II.  The idea was discarded due to the superiority of the West German Zeiss Contax IIa from Stuttgart. 

 

picture by Stefan Baumgartner, Copyright 2002, all rights reserved

The story goes on that different prototype styles were made: all black cameras, partly black cameras, and chromium plated cameras.   As this picture illustrates, both the camera and the lens lack a name.  It is maintained  these trial  cameras was never meant to leave the Jena factory, which is another way of saying such a camera is indeed rare and valuable. 

As interesting as the story is,  there are renown Contax experts in Europe who believe these cameras are fakes,     made in private by employees at VEB Carl Zeiss JENA, out of a mix of left over part from the Carl Zeiss Jena-Contax production, and Kiev parts.  
 


A slightly different version of the No Name Kiev article was first published in Fall 2001 issue of the Journal of the Zeiss Historica Society.    This article is printed with permission of the Zeiss Historica Society.  Click Here for info about joining the Zeiss Historica Society.   Photos of the Kiev No Name are copyrighted by Emanuele Laveneziana 2002, all rights reserved.  Text  Copyright 2001 Peter Hennig, all rights reserved. 


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